Ayers opens this piece with a quote from Bob Dylan: 'I wasn't so much interested in the issues as intrigued by the language and rhetoric of the times. . . . Everybody uses the same God, quotes the same Bible and law and literature. . . . You wonder how people so united by geography and religious ideals could become such bitter enemies. . . .It's all one long funeral song.' This piece by Ayers is ultimately about visualizing history while using the American Civil War as an example. Dylan refers to the Civil War as 'all, one long funeral song' although a funeral song which resulted with 4 million people becoming free. 'Dylan's anxiety, his sense of the disconnect between the purposes of the war and the outcome of emancipation,' the reasons for this can be seen from the visual image represented in this piece. Another example is used: 'Charles Minard. His map of Napoleon's March on Moscow. . . shows this elderly man reflecting, like Dylan, on a costly and haunting war from his nation's past.' Dylan sees history alive in his own life a hundred years later while Minard contains history. Minard's graph details what happens it exposes the numbers who died.
Following this Ayers discusses the real issue of the piece: visualising history. 'personal memory we file away sets of coordinates: this room and that argument, this smell and that school hallway, this corner and that song on the radio.' This is an important statement by Ayers I believe as this is how in fact we visualise our history perhaps even without knowing it. When graduating from school we were asked to pick a song which represents who we are, The Kooks 'She moves in her own way' may then in fact cause a visualisation of a character through the lines of a song, or at least one may think that visualises their history! Everyone remembers and associates happenings in this way that Ayers discusses, while personally I remember things by what clothes I was wearing at the time or what song was playing if there was one!
'a handful of historically 'eventful' mountains interspersed among wide, seemingly empty valleys in which nothing of any historical significance seems to have happened. We build metaphorical bridges to close the gap between the past and ourselves, to hold things together.' 'We also map the historical literature in this way, seeing its tributaries, its gathering, and its diffusion. Historians, it seems, don't have lists of books in our heads, databases of footnotes and citations, but instead an information landscape with its own peaks and valleys, streams and lakes.' Individual historians have an area of history they find themselves most drawn to, a period in which they research the most perhaps. We may connect the parts of study we are most interested in and then bridge over the points we are not as interested in.
'telling ourselves that the beginning point and the ultimate destination were connected in an inevitable way, but that would neglect to mention all kinds of detours, decisions, and surprises in between that made the journey seem anything but straightforward or certain. History never travels as the bird flies; history walks across a varied and landscape of time.' This is obviously very true of history, as history is in fact everything that has happened, we do at times neglect to mention parts whether it be by choice or otherwise. We may exaggerate or interpret differently parts of history, as a result of personal opinion or bias, Ireland after all has said to not possess a history but instead it possess historiography. This historiography does possess a huge amount of debate within it particularly in parts I am most interested in such as politics and the Irish Revolution. 'our rich narrative traditions have generally relegated visualization to textbooks and heavy atlases in the reference sections of the library.' However the issue highlighted in this piece is the relationship between space and time. History is continuously occurring.
'But most historians don't like abstractions; we like concrete people, stories, and events. We see patterns as they are constituted of individuals and embodied in specific places and times.' I completely agree with Ayers in this point as I find from my study people do stand out in history, of course. The 'Great Man' approach has been taken in the biography writing of many Irish historical figures such as Michael Collins and Eamon De Valera. The emphasis on the individual is highly present within Irish historiography and so often we find ourselves associating a whole period of time with one individual or a small collection of people. The Irish Revolution could be associated with those who signed the Proclamation and those who signed the Treaty, however there was of course so many more people involved as well as the years prior to the Irish Revolution, the other rebellions are all connected to the years spanning from 1916-1923, however they are often placed in one section they are the peaks Ayers speaks about, the metaphorical peaks and valleys which are joined over by metaphorical bridges!
'Might we be able to do something Minard could not do with the tools available to him: portray not merely group experience but also individual, family, and community experience?' Using the Civil War as an example: some good was shown- families survived. However some bad was also shown- children were sold, widows were left alone. There is not a lot available in concern to these topics. In my thesis I am covering community radio in Limerick which has not been written on previously, to my knowledge anyway, hopefully I will be able to record some information on this topic, as it plays its role in local life whether it be deemed important or otherwise. In 100 years, will people study us, or merely individuals? Are we significant history? Or are we lost in time in an empty valley on the historical weather map? As we are the age who lived through the Celtic Tiger and are currently suffering its demise I am certain we will be recorded in history perhaps for all the wrong reasons! The bubble burst and some individuals will most likely be recorded as playing a major role in its causation, particularly Brian Cowan, maybe Bertie Ahern might avoid some blame due to his incredibly good judgement of getting out when he did!
'Each one of those golden dots held thousands of stories and we have only begun to glimpse them.' Its hard to see us being recorded as merely golden dots at least as a collection of people our time here shall be recorded but of course as individuals the people of the future may visualize history perhaps with the association of certain figures to this time period. 'Exposing my language-based discipline of history to the visual, the graphic, and the dynamic throws it off balance. And that's exactly what the humanities, like all academic disciplines, need to do if they are to stay alive and vital.' The age of the Internet is upon us everything is becoming more visual and it is important and useful to learn new ways and new tools to remember and record history, to visualize it in the hope of gaining from it the most that we can. As arts and humanities students we are often accused of showing fear when a graph or statistics or anything other then a written form are placed in front of us! I feel that it is important that this changes, as learning history with visual aids is very useful as many people find learning this way easier, although not only would visual learners reap rewards from this but every learner would as people are being continuously exposed to the visual and so are learning to adjust to this style of learning. It also offers something different to the typical way of learning which may be from the traditional way Ayers spoke of in the reference sections of the library. This piece by Ayers I feel to be the way forward in the recording of, the learning of and the visualizing of history.